CHRIS MCGINNIS: Fragments no. 20
Chris McGinnis grew up in southwestern Pennsylvania during the waning years of America's post-war industrial paradigm. Shortly after his birth the steel mills closed and the coal industry consolidated. This region braced for an economic winter from which many communities have yet to emerge. As both artist and curator, McGinnis' research continually returns to notions of growth and decline relating to technology and the human experience. Projects inspired by this research chronicle the pursuit of progress and its effect on all facets of society, ranging from industry and community to science and entertainment. Iconography representing the abundance and promise of industrial modernism is reminiscent of a time when American optimism was specifically manifested in large-scale construction and the built environment.
$500.00
CHRIS MCGINNIS: Fragments no. 21
Chris McGinnis grew up in southwestern Pennsylvania during the waning years of America's post-war industrial paradigm. Shortly after his birth the steel mills closed and the coal industry consolidated. This region braced for an economic winter from which many communities have yet to emerge. As both artist and curator, McGinnis' research continually returns to notions of growth and decline relating to technology and the human experience. Projects inspired by this research chronicle the pursuit of progress and its effect on all facets of society, ranging from industry and community to science and entertainment. Iconography representing the abundance and promise of industrial modernism is reminiscent of a time when American optimism was specifically manifested in large-scale construction and the built environment.
$500.00
CHRIS MCGINNIS: Fragments no. 22
Chris McGinnis grew up in southwestern Pennsylvania during the waning years of America's post-war industrial paradigm. Shortly after his birth the steel mills closed and the coal industry consolidated. This region braced for an economic winter from which many communities have yet to emerge. As both artist and curator, McGinnis' research continually returns to notions of growth and decline relating to technology and the human experience. Projects inspired by this research chronicle the pursuit of progress and its effect on all facets of society, ranging from industry and community to science and entertainment. Iconography representing the abundance and promise of industrial modernism is reminiscent of a time when American optimism was specifically manifested in large-scale construction and the built environment.
$500.00
#5255
Hiro Yokose was born in Nagasaki, Japan, 1959 and lives and works in the heart of Manhattan, NY. Yokose combines oil and beeswax to create landscapes that appear simultaneously abstract and realistic. Because of the artist's unique technique of painting, the surfaces of his work have a sensuous and tactile appearance where depth is both an illusion and a reality. PUBLIC COLLECTIONS Citibank, New York, NY Boeing Company, Chicago, Il Exon Corporation, Irving, TX Fidelity Investments Corporation, Boston, MA Goldman Sachs and Company, San Francisco, CA Kennedy Museum of American Art, Ohio University, OH Lincoln National Corporation, Fort Wayne, IN Marnell Corrao, Las Vegas, NV Miami-Dade College, FL Microsoft Corporation, Seattle, WA Prudential, New York, NY San José Museum of Art, CA TransAmerica Corporation, San Francisco, CA Harvard University, Cambridge, MA The Ritz Carlton Hotel, Washington, D. C.
$4,775.00
something in the snow
Oil on canvas, 2014, 80 X 70 cm. "I found a dimpled spider, fat and white, On a white heal-all, holding up a moth Like a white piece of rigid satin cloth - Assorted characters of death and blight Mixed ready to begin the morning right, Like the ingredients of a witches' broth - A snow-drop spider, a flower like a froth, And dead wings carried like a paper kite. What had that flower to do with being white, The wayside blue and innocent heal-all? What brought the kindred spider to that height, Then steered the white moth thither in the night? What but design of darkness to appall? - - If design govern in a thing so small." Design, by Robert Frost. 1922.
$1,530.00
60×60 cm. Visarute Angkatavanich White Dancer
"These stunning portraits show Siamese fighting fish seemingly floating in mid air, displaying their long, flowing fins and brilliant colours. Thai photographer Visarute Angkatavanich uses specialist lighting and crystal-clear water to capture exuberantly finned and coloured varieties of Betta splendens." Review from the Guardian, UK
$1,050.00
30×40 in. Adam Rankin Sarah
The Moving series is a set of portraits taken in the weeks leading up to the sale of the family home. In each portrait, the subject floats above and through a shared memory, heading towards something new and undocumented, collectively redefining what the idea of home and family is becoming.Moving was shot in Edmonton, Alberta in the summer of 2005. The 5th member of our family, the red canoe, has been around as long as I have. Oddly enough, it has never seen the water and was sold shortly after theMoving series was taken, along with the family home. This particular image was shot in a shopping mall parking lot close to our family home. The mall has since been demolished and is now a bunch of condos. Both my sister and I spent a lot of time there over the years. On shoot day, my Dad was on lighting and grip and my Mum correlated film. The canoe was shot on location supported by scaffolding.
$1,000.00
6.5×9.5 in. Amy FINKELSTEIN [photograph] 10 Jan 2013
"My work process involves photographing fields of matter and discovering what these fields, within the structure of this media, can potentially yield. Recently, I have been working with India ink applied to translucent drafting film, which is hung and backlit for photographing. I shoot with an 8x10 camera and print in a traditional color darkroom. The subject matter is not a construct of previously sketched and carefully rendered images. It is rather a documentation of collaborative happenstance with material and mark, and with the catalytic ability for photography to shift this literal matter into potential notions of reference." Read more in the description below.
Joyous Life Of Hippopotamus
Art has always been a form of contemplation for Tabu. It enables him to think and be aware of things, and it helps him construct and deconstruct his thoughts and feelings toward people, objects, and events while staying non-judgmental about them. He explores the relationship we and our man-made world have with nature and the universe - physically and spiritually - and delves deeper into life's big questions. His artworks reflect such devastating natural disasters as earthquakes and tsunamis as well as our everyday grief and joy in the mundane. By illustrating the bottomless abyss of our dreams and realities, he wishes to remind people of the importance and existence of the present moment in which we only exist.
Curiocity III
Framed and Signed Giclee art print (2015). Limited Edition of 50 copies with certificates of authenticity. Exclusively edited by Curioos. This Art print is signed, numbered and stamped by Curioos. Each copy comes with a signed Certificate of Authenticity.
$315.00
There Will Be a Gathering
Art has always been a form of contemplation for Tabu. It enables him to think and be aware of things, and it helps him construct and deconstruct his thoughts and feelings toward people, objects, and events while staying non-judgmental about them. He explores the relationship we and our man-made world have with nature and the universe - physically and spiritually - and delves deeper into life's big questions. His artworks reflect such devastating natural disasters as earthquakes and tsunamis as well as our everyday grief and joy in the mundane. By illustrating the bottomless abyss of our dreams and realities, he wishes to remind people of the importance and existence of the present moment in which we only exist.
Collage Radius #30
An exercise in focus and precision, Zecca creates his origami-like Collage Radii by combining fragments of his drawings, which repeat sequences of steadied, handmade ink lines that radiate from a fixed point. These collage works can mounted on museum mat board and hung as a sculptural piece or laid flat and framed behind Plexiglas.
$4,500.00
Deer Family
One of the largest tribal communities in South Asia, the Gonds, are mainly found in Madhya Pradesh and its surrounding States. Gond paintings which is mostly "two-dimensional" in style cover numerous themes such as folk stories, religion, nature etc. Their art may be bursting with flamboyant hues or more controlled, in the simple sophistication use of black and white. It is interesting to observe that Gond paintings bear a remarkable likeness to Australian aboriginal art as both forms use dots or lines as fillers. The artist Durga Bai has been transforming the communities ritual performing arts into a new tradition of figurative and narrative visual art: using a variety of modern media including acrylic paintings on canvas ink drawings on paper and has created depictions of the tribal natural and mythological worlds and oral histories.
$750.00
The Binding Tree
Meticulously detailed drawing on archival paper. This is a color and image study for a larger piece that sold, entitled "Under the Shadow of Mortality". This title is the closest description for the feeling and atmosphere of the image. Not being a large piece, it can safely be shipped loosely rolled in a tube. This will cost a lot less than a framed piece.
$1,150.00
