CHRIS MCGINNIS: Fragments no. 20
Chris McGinnis grew up in southwestern Pennsylvania during the waning years of America's post-war industrial paradigm. Shortly after his birth the steel mills closed and the coal industry consolidated. This region braced for an economic winter from which many communities have yet to emerge. As both artist and curator, McGinnis' research continually returns to notions of growth and decline relating to technology and the human experience. Projects inspired by this research chronicle the pursuit of progress and its effect on all facets of society, ranging from industry and community to science and entertainment. Iconography representing the abundance and promise of industrial modernism is reminiscent of a time when American optimism was specifically manifested in large-scale construction and the built environment.
$500.00
CHRIS MCGINNIS: Fragments no. 21
Chris McGinnis grew up in southwestern Pennsylvania during the waning years of America's post-war industrial paradigm. Shortly after his birth the steel mills closed and the coal industry consolidated. This region braced for an economic winter from which many communities have yet to emerge. As both artist and curator, McGinnis' research continually returns to notions of growth and decline relating to technology and the human experience. Projects inspired by this research chronicle the pursuit of progress and its effect on all facets of society, ranging from industry and community to science and entertainment. Iconography representing the abundance and promise of industrial modernism is reminiscent of a time when American optimism was specifically manifested in large-scale construction and the built environment.
$500.00
CHRIS MCGINNIS: Fragments no. 22
Chris McGinnis grew up in southwestern Pennsylvania during the waning years of America's post-war industrial paradigm. Shortly after his birth the steel mills closed and the coal industry consolidated. This region braced for an economic winter from which many communities have yet to emerge. As both artist and curator, McGinnis' research continually returns to notions of growth and decline relating to technology and the human experience. Projects inspired by this research chronicle the pursuit of progress and its effect on all facets of society, ranging from industry and community to science and entertainment. Iconography representing the abundance and promise of industrial modernism is reminiscent of a time when American optimism was specifically manifested in large-scale construction and the built environment.
$500.00
#4458
Hiro Yokose was born in Nagasaki, Japan, 1959 and lives and works in the heart of Manhattan, NY. Yokose combines oil and beeswax to create landscapes that appear simultaneously abstract and realistic. Because of the artist’s unique technique of painting, the surfaces of his work have a sensuous and tactile appearance where depth is both an illusion and a reality. PUBLIC COLLECTIONS Citibank, New York, NY Boeing Company, Chicago, Il Exon Corporation, Irving, TX Fidelity Investments Corporation, Boston, MA Goldman Sachs and Company, San Francisco, CA Kennedy Museum of American Art, Ohio University, OH Lincoln National Corporation, Fort Wayne, IN Marnell Corrao, Las Vegas, NV Miami-Dade College, FL Microsoft Corporation, Seattle, WA Prudential, New York, NY San José Museum of Art, CA TransAmerica Corporation, San Francisco, CA Harvard University, Cambridge, MA The Ritz Carlton Hotel, Washington, D. C.
$3,865.00
A Moment in Time
This painting is on a gallery wrapped canvas with finished black edges. It comes varnished and wired to hang.
Doncaster, England
As seen from above, multiple highways become the linear design element of the painting. The highways are the focus of the composition and lead the viewer through the painting. Reduced to linear graphics, the details are contrasted by the strong use of green. This painting is on a gallery wrapped canvas with finished white edges. It comes ready to hang.
$1,600.00
20×30 Mounted in Plexi Barbara Erdmann Hubris
To capture these moments and close-up textures, Erdmann uses a Canon camera and lens to ensure the highest resolution for her photos. Barbara says, "I will click a thousand times before capturing the one spectacular photo that speaks to her. I become a bit obsessed." Barbara specializes in large-format images, and favors mounting them in acrylic for a clean and modern look to accentuate the striking images.
The artwork is 20x30 Mounted in Plexi.
30×40 in. Adam Rankin Sarah
The Moving series is a set of portraits taken in the weeks leading up to the sale of the family home. In each portrait, the subject floats above and through a shared memory, heading towards something new and undocumented, collectively redefining what the idea of home and family is becoming.Moving was shot in Edmonton, Alberta in the summer of 2005. The 5th member of our family, the red canoe, has been around as long as I have. Oddly enough, it has never seen the water and was sold shortly after theMoving series was taken, along with the family home. This particular image was shot in a shopping mall parking lot close to our family home. The mall has since been demolished and is now a bunch of condos. Both my sister and I spent a lot of time there over the years. On shoot day, my Dad was on lighting and grip and my Mum correlated film. The canoe was shot on location supported by scaffolding.
$1,000.00
Curiocity II
Framed and Signed Giclee art print (2015). Limited Edition of 50 copies with certificates of authenticity. Exclusively edited by Curioos. This Art print is signed, numbered and stamped by Curioos. Each copy comes with a signed Certificate of Authenticity.
$315.00
Jelly Fish Eyes – white 4
Currently unavailable.
We don't know when or if this item will be back in stock.
"Jelly Fish Eyes - white 4" is a dynamic work featuring Murakami's character.
30×40 in. Cristina Guerreiro Market Street
Cristina Guerreiro lives everywhere and nowhere. She split her childhood between Brazil and Portugal, studied in central England, and is now working towards her MFA at the prestigious San Francisco Art Institute. She records her personal memories and movements from each of these spaces in her work. Her transient city scenes and distinct architectural references, belie feelings of dislocation, identity, and urban energy. To create these pieces, Cristina photographs the buildings she wants then draws them with her own distinct style. The colors are inspired by both of her cultures: Brazilian lively music and forms, the vibrant colors and sounds of the Portuguese people, and the quirky skyscrapers of San Francisco. This piece is an impression of the iconic buildings and bridges in downtown SF, many of them just a few blocks away from Cristina's apartment.
$750.00
Fallen Series No. 12
A work by David Morrison using Graphite. This is a unique work that measures 14 x 18.3 inches.
$3,000.00
Nicole
This piece is a charcoal and pastel drawing on a 12x12 cradled wood panel. The work is sealed with varnish for protection and comes wired to hang.
berlin – tiergarten
From the series "Code", oil and graphite pencil on paper, 30 x 30 cm. A map is an imprint, a sign of man in the landscape. An alien intelligence, observing our cities from the great distances of the space, could interpret them as the characters of an alphabet, sort of messages, a code of signs, each one different from the other, each with its own meaning and its own syntax. This hypothetical alien presence may not even realize that these cities have a purpose and a function, which are the product of the way we have adapted to live on this planet, but it could engage in an attempt to interpret this unknown language, identifying the alphabet and associating to each character a precise meaning. We will still be able to understand and share this new meanings, or will they have lost any sense for us?
