CHRIS MCGINNIS: Fragments no. 20
Chris McGinnis grew up in southwestern Pennsylvania during the waning years of America's post-war industrial paradigm. Shortly after his birth the steel mills closed and the coal industry consolidated. This region braced for an economic winter from which many communities have yet to emerge. As both artist and curator, McGinnis' research continually returns to notions of growth and decline relating to technology and the human experience. Projects inspired by this research chronicle the pursuit of progress and its effect on all facets of society, ranging from industry and community to science and entertainment. Iconography representing the abundance and promise of industrial modernism is reminiscent of a time when American optimism was specifically manifested in large-scale construction and the built environment.
$500.00
CHRIS MCGINNIS: Fragments no. 21
Chris McGinnis grew up in southwestern Pennsylvania during the waning years of America's post-war industrial paradigm. Shortly after his birth the steel mills closed and the coal industry consolidated. This region braced for an economic winter from which many communities have yet to emerge. As both artist and curator, McGinnis' research continually returns to notions of growth and decline relating to technology and the human experience. Projects inspired by this research chronicle the pursuit of progress and its effect on all facets of society, ranging from industry and community to science and entertainment. Iconography representing the abundance and promise of industrial modernism is reminiscent of a time when American optimism was specifically manifested in large-scale construction and the built environment.
$500.00
CHRIS MCGINNIS: Fragments no. 22
Chris McGinnis grew up in southwestern Pennsylvania during the waning years of America's post-war industrial paradigm. Shortly after his birth the steel mills closed and the coal industry consolidated. This region braced for an economic winter from which many communities have yet to emerge. As both artist and curator, McGinnis' research continually returns to notions of growth and decline relating to technology and the human experience. Projects inspired by this research chronicle the pursuit of progress and its effect on all facets of society, ranging from industry and community to science and entertainment. Iconography representing the abundance and promise of industrial modernism is reminiscent of a time when American optimism was specifically manifested in large-scale construction and the built environment.
$500.00
Antique Bottle with Garlic
This piece has been SOLD.
A unique work by Christopher Garvey. Oil on Canvas.
Size : 9.5 x 12 x 0.5 in.
Includes free shipping.
Black and White No. 84
"I enjoy painting in black an white because it its the most extreme of contrast. I am not a tonal painter and I feel that one color can make a contrasting color that much more beautiful. Black and white may just be the best two colors as they allow all the other colors of the room to shine. It is the most neutral of color combo's and can help with layering in homes, the paintings will balance any other art in the room, regardless of the color scheme or the design plan. They are the Switzerland of paint colors. Sometimes my eyes need a retrieve from color and so I move on to painting in black and white. I usually paint abstracts although I am exploring black and white flowers and a black Drippy Heart, which is just as happy and beautiful as my yellow ones 😉 ". - Kerri Rosenthal, August 2104
kansas city
From the series "Big Code", oil and pencil on paper, 70 x 44 cm. When we consider a road map or a map of the territory we note that they contain different information that are represented by different means, according to the purpose for which they were created: each time we find colors, symbols and words that recall a precise meaning. What happens if I take these techniques of representation, these symbols, and take off the scope for which they were created and mingle them with each other? Read more
$550.00
[photograph] 21 Oct 2012
"My work process involves photographing fields of matter and discovering what these fields, within the structure of this media, can potentially yield. Recently, I have been working with India ink applied to translucent drafting film, which is hung and backlit for photographing. I shoot with an 8x10 camera and print in a traditional color darkroom. The subject matter is not a construct of previously sketched and carefully rendered images. It is rather a documentation of collaborative happenstance with material and mark, and with the catalytic ability for photography to shift this literal matter into potential notions of reference." Read more in the description below.
6.5×9.5 in. Amy FINKELSTEIN [photograph] 10 Jan 2013
"My work process involves photographing fields of matter and discovering what these fields, within the structure of this media, can potentially yield. Recently, I have been working with India ink applied to translucent drafting film, which is hung and backlit for photographing. I shoot with an 8x10 camera and print in a traditional color darkroom. The subject matter is not a construct of previously sketched and carefully rendered images. It is rather a documentation of collaborative happenstance with material and mark, and with the catalytic ability for photography to shift this literal matter into potential notions of reference." Read more in the description below.
30×40 in. Adam Rankin Sarah
The Moving series is a set of portraits taken in the weeks leading up to the sale of the family home. In each portrait, the subject floats above and through a shared memory, heading towards something new and undocumented, collectively redefining what the idea of home and family is becoming.Moving was shot in Edmonton, Alberta in the summer of 2005. The 5th member of our family, the red canoe, has been around as long as I have. Oddly enough, it has never seen the water and was sold shortly after theMoving series was taken, along with the family home. This particular image was shot in a shopping mall parking lot close to our family home. The mall has since been demolished and is now a bunch of condos. Both my sister and I spent a lot of time there over the years. On shoot day, my Dad was on lighting and grip and my Mum correlated film. The canoe was shot on location supported by scaffolding.
$1,000.00
Fallen Series No. 12
A work by David Morrison using Graphite. This is a unique work that measures 14 x 18.3 inches.
$3,000.00
Passing the Veil of Remembrance
This intricate ink drawing is on heavy-weight paper. It will require a frame for display.
$450.00
Collage Radius #30
An exercise in focus and precision, Zecca creates his origami-like Collage Radii by combining fragments of his drawings, which repeat sequences of steadied, handmade ink lines that radiate from a fixed point. These collage works can mounted on museum mat board and hung as a sculptural piece or laid flat and framed behind Plexiglas.
$4,500.00
