30×40 in. Cristina Guerreiro Market Street
Cristina Guerreiro lives everywhere and nowhere. She split her childhood between Brazil and Portugal, studied in central England, and is now working towards her MFA at the prestigious San Francisco Art Institute. She records her personal memories and movements from each of these spaces in her work. Her transient city scenes and distinct architectural references, belie feelings of dislocation, identity, and urban energy. To create these pieces, Cristina photographs the buildings she wants then draws them with her own distinct style. The colors are inspired by both of her cultures: Brazilian lively music and forms, the vibrant colors and sounds of the Portuguese people, and the quirky skyscrapers of San Francisco. This piece is an impression of the iconic buildings and bridges in downtown SF, many of them just a few blocks away from Cristina's apartment.
$750.00
100 Skies
Image Size: 27" x 27" Pencil signed and numbered by the artist Courtesy of Santa Fe Editions
$1,200.00
A Pattern of Monstrosity
I hope that my work conveys some sense of the enigma of the human condition, the existential absurdity of life, and an appreciation for the mythologies in which we swaddle ourselves as proof against the unknown. Art is a way for me, a finite creature bowed beneath the weight of infinite mysteries, to wrangle this whole mess into something resembling a coherent philosophy.
$1,900.00
Fred McFeely “Mr. Rogers”, Pittsburgh, 1990
Available in 2 sizes:
12x18 (17x22 Total Paper Size) = $2,350
9x13 (11x17 Total Paper Size) = $1,500 Unframed
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$2,350.00
Aerial Mosquito Attack, Collier County, Florida, 1981
Available in 12x17.5 (17x22 Total Paper Size) = $2,350 Unframed 15x21 (18x24 Total Paper Size) = $2900 9x13 (11x17 Total Paper Size) = $1,500 Unframed
$2,350.00
16×20 in. Unframed Martyn Thompson Heart of Glass 07
In this series, Martyn explores themes of memory and fragility, using strong elements of naturalism. Here, the broken wings of the butterflies demonstrate the delicacy of nature, leading us to question our own finite existence. The vibrant blue plate cont
11×14 in. Unframed Martyn Thompson Alien – Dark Blue
In Martyn Thompson's alien series, these jellyfish are transformed into other worldly creatures, existing as repetitious form in a floating abyss. The series contains a varying palette of blues and grays, recalling the range of tones in the natural sea en
16×20 in. Unframed Martyn Thompson Alien – Light Blue
In Martyn Thompson’s alien series, these jellyfish are transformed into other worldly creatures, existing as repetitious form in a floating abyss. The series contains a varying palette of blues and grays, recalling the range of tones in the natural sea environment. Interestingly, the form changes very little from image to image, yet the overall feeling the image conveys is quite dramatically different, depending on the color scheme. In this image, the dark, rich blue imparts a certain feeling of depth, as if the viewer is peering into a deep, oceanic world. -Luster Fine Art Prints
11×11 in. Unframed Mark Hartman Untitled Billboard No. 2
Looking like an abstract painting, these images are actually shredded billboards found in Panama. When workers shred expired ads what remains is often a beautiful chaos of color, shape, and pattern. Hartman was attracted to the ever-changing shapes, and c
