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7.5×9.5 in. Amy FINKELSTEIN [photograph] 16 Jan 2013
"My work process involves photographing fields of matter and discovering what these fields, within the structure of this media, can potentially yield. Recently, I have been working with India ink applied to translucent drafting film, which is hung and backlit for photographing. I shoot with an 8x10 camera and print in a traditional color darkroom. The subject matter is not a construct of previously sketched and carefully rendered images. It is rather a documentation of collaborative happenstance with material and mark, and with the catalytic ability for photography to shift this literal matter into potential notions of reference." Read more in the description below.
11×11 in. Unframed Mark Hartman Untitled Billboard No. 2
Looking like an abstract painting, these images are actually shredded billboards found in Panama. When workers shred expired ads what remains is often a beautiful chaos of color, shape, and pattern. Hartman was attracted to the ever-changing shapes, and c
[photograph] 21 Oct 2012
"My work process involves photographing fields of matter and discovering what these fields, within the structure of this media, can potentially yield. Recently, I have been working with India ink applied to translucent drafting film, which is hung and backlit for photographing. I shoot with an 8x10 camera and print in a traditional color darkroom. The subject matter is not a construct of previously sketched and carefully rendered images. It is rather a documentation of collaborative happenstance with material and mark, and with the catalytic ability for photography to shift this literal matter into potential notions of reference." Read more in the description below.
16×20 in. Julia Callon Supermarket
Supermarket and Royal Bank are constructed small scale models that represent otherwise orderly places in a state of chaos and disarray. The tension in the images seeks to represent a culture of abundance and excess, exploding at the seams. Julia's work consists of the hybridization of photography and constructed small-scale models that both challenge and explore the idea of the photographic image as a representation of reality. Supermarket and Royal Bank represent otherwise orderly places in a state of chaos and disarray. The tension in the images seek to represent a culture of abundance and excess, exploding at the seams.
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A Pattern of Monstrosity
I hope that my work conveys some sense of the enigma of the human condition, the existential absurdity of life, and an appreciation for the mythologies in which we swaddle ourselves as proof against the unknown. Art is a way for me, a finite creature bowed beneath the weight of infinite mysteries, to wrangle this whole mess into something resembling a coherent philosophy.
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60×60 cm. Visarute Angkatavanich White Dancer
"These stunning portraits show Siamese fighting fish seemingly floating in mid air, displaying their long, flowing fins and brilliant colours. Thai photographer Visarute Angkatavanich uses specialist lighting and crystal-clear water to capture exuberantly finned and coloured varieties of Betta splendens." Review from the Guardian, UK
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80×80 cm. Visarute Angkatavanich Interlude of the Blue
"These stunning portraits show Siamese fighting fish seemingly floating in mid air, displaying their long, flowing fins and brilliant colours. Thai photographer Visarute Angkatavanich uses specialist lighting and crystal-clear water to capture exuberantly finned and coloured varieties of Betta splendens." Review from the Guardian, UK
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