Loading the content...
Navigation

16×24 in. Alex Kain Louis

Return to Previous Page
More Info

Additional information

Artist

Color

Media Type

Product Group

Size

Related Products

90×60 cm. Visarute Angkatavanich Promenade

"These stunning portraits show Siamese fighting fish seemingly floating in mid air, displaying their long, flowing fins and brilliant colours. Thai photographer Visarute Angkatavanich uses specialist lighting and crystal-clear water to capture exuberantly finned and coloured varieties of Betta splendens." Review from the Guardian, UK
$ (as of June 5, 2017, 4:40 pm)1,250.00 (as of June 5, 2017, 4:40 pm)

White Fan

"These stunning portraits show Siamese fighting fish seemingly floating in mid air, displaying their long, flowing fins and brilliant colours. Thai photographer Visarute Angkatavanich uses specialist lighting and crystal-clear water to capture exuberantly finned and coloured varieties of Betta splendens." Review from the Guardian, UK
$ (as of June 5, 2017, 4:40 pm)1,400.00 (as of June 5, 2017, 4:40 pm)

20×24 in. Adam Rankin Eric

The Moving series is a set of portraits taken in the weeks leading up to the sale of the family home. In each portrait, the subject floats above and through a shared memory, heading towards something new and undocumented, collectively redefining what the idea of home and family is becoming.Moving was shot in Edmonton, Alberta in the summer of 2005. The 5th member of our family, the red canoe, has been around as long as I have. Oddly enough, it has never seen the water and was sold shortly after theMoving series was taken, along with the family home. This particular image was shot in a shopping mall parking lot close to our family home. The mall has since been demolished and is now a bunch of condos. Both my sister and I spent a lot of time there over the years. On shoot day, my Dad was on lighting and grip and my Mum correlated film. The canoe was shot on location supported by scaffolding.
$ (as of June 5, 2017, 7:54 am)500.00 (as of June 5, 2017, 7:54 am)

16×20 in. Unframed Martyn Thompson Heart of Glass 07

In this series, Martyn explores themes of memory and fragility, using strong elements of naturalism. Here, the broken wings of the butterflies demonstrate the delicacy of nature, leading us to question our own finite existence. The vibrant blue plate cont

11×11 in. Unframed Mark Hartman Untitled Billboard No. 2

Looking like an abstract painting, these images are actually shredded billboards found in Panama. When workers shred expired ads what remains is often a beautiful chaos of color, shape, and pattern. Hartman was attracted to the ever-changing shapes, and c

16×20 in. Julia Callon Supermarket

Supermarket and Royal Bank are constructed small scale models that represent otherwise orderly places in a state of chaos and disarray. The tension in the images seeks to represent a culture of abundance and excess, exploding at the seams. Julia's work consists of the hybridization of photography and constructed small-scale models that both challenge and explore the idea of the photographic image as a representation of reality. Supermarket and Royal Bank represent otherwise orderly places in a state of chaos and disarray. The tension in the images seek to represent a culture of abundance and excess, exploding at the seams.
$ (as of June 5, 2017, 7:35 am)800.00 (as of June 5, 2017, 7:35 am)

20×30 Mounted in Plexi Barbara Erdmann Hubris

To capture these moments and close-up textures, Erdmann uses a Canon camera and lens to ensure the highest resolution for her photos. Barbara says, "I will click a thousand times before capturing the one spectacular photo that speaks to her. I become a bit obsessed." Barbara specializes in large-format images, and favors mounting them in acrylic for a clean and modern look to accentuate the striking images. The artwork is 20x30 Mounted in Plexi.

30×40 in. Adam Rankin Sarah

The Moving series is a set of portraits taken in the weeks leading up to the sale of the family home. In each portrait, the subject floats above and through a shared memory, heading towards something new and undocumented, collectively redefining what the idea of home and family is becoming.Moving was shot in Edmonton, Alberta in the summer of 2005. The 5th member of our family, the red canoe, has been around as long as I have. Oddly enough, it has never seen the water and was sold shortly after theMoving series was taken, along with the family home. This particular image was shot in a shopping mall parking lot close to our family home. The mall has since been demolished and is now a bunch of condos. Both my sister and I spent a lot of time there over the years. On shoot day, my Dad was on lighting and grip and my Mum correlated film. The canoe was shot on location supported by scaffolding.
$ (as of June 5, 2017, 5:17 pm)1,000.00 (as of June 5, 2017, 5:17 pm)

The World Is Not My Oyster

This is an exemplary work by the artist, it will be a stunning addition to any space.
$ (as of June 5, 2017, 5:17 pm)1,500.00 (as of June 5, 2017, 5:17 pm)

[photograph] 21 Oct 2012

"My work process involves photographing fields of matter and discovering what these fields, within the structure of this media, can potentially yield. Recently, I have been working with India ink applied to translucent drafting film, which is hung and backlit for photographing. I shoot with an 8x10 camera and print in a traditional color darkroom. The subject matter is not a construct of previously sketched and carefully rendered images. It is rather a documentation of collaborative happenstance with material and mark, and with the catalytic ability for photography to shift this literal matter into potential notions of reference." Read more in the description below.  


Follow Us

Back to top