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Black and White No. 21
"I enjoy painting in black an white because it its the most extreme of contrast. Â I am not a tonal painter and I feel that one color can make a contrasting color that much more beautiful. Â Black and white may just be the best two colors as they allow all the other colors of the room to shine. Â It is the most neutral of color combo's and can help with layering in homes, the paintings will balance any other art in the room, regardless of the color scheme or the design plan. Â They are the Switzerland of paint colors. Sometimes my eyes need a retrieve from color and so I move on to painting in black and white. I usually paint abstracts although I am exploring black and white flowers and a black Drippy Heart, which is just as happy and beautiful as my yellow ones ;) ". - Kerri Rosenthal, August 2104
Orchard
Georgia O'Keeffe said you need to look closely to see the true beauty of nature. In a large orchard, one small detail of one leaf is a thing of beauty--this inspired Orchard. The piece is on a gallery wrapped canvas and the paint was allowed to drip carefully over the sides so that the work continues beyond its limits. It comes varnished and ready to hang.
$ (as of June 5, 2017, 7:32 am)1,475.00 (as of June 5, 2017, 7:32 am)
#4458
Hiro Yokose was born in Nagasaki, Japan, 1959 and lives and works in the heart of Manhattan, NY. Yokose combines oil and beeswax to create landscapes that appear simultaneously abstract and realistic. Because of the artist’s unique technique of painting, the surfaces of his work have a sensuous and tactile appearance where depth is both an illusion and a reality. PUBLIC COLLECTIONS Citibank, New York, NY Boeing Company, Chicago, Il Exon Corporation, Irving, TX Fidelity Investments Corporation, Boston, MA Goldman Sachs and Company, San Francisco, CA Kennedy Museum of American Art, Ohio University, OH Lincoln National Corporation, Fort Wayne, IN Marnell Corrao, Las Vegas, NV Miami-Dade College, FL Microsoft Corporation, Seattle, WA Prudential, New York, NY San José Museum of Art, CA TransAmerica Corporation, San Francisco, CA Harvard University, Cambridge, MA The Ritz Carlton Hotel, Washington, D. C.
$ (as of June 5, 2017, 10:48 am)3,865.00 (as of June 5, 2017, 10:48 am)
Dunes XXVII
The eye makes its way to the water through the dunes and beach grass. This piece is part of an ongoing series created with a palette knife and displays unique layering of color and abstract perception. When beginning this particular piece, I wanted to depict the dunes in a very large format and show the expanse of the changing sky. The painting is on gallery wrapped Belgian linen with clean, natural edges. It comes varnished and wired to hang.
#5255
Hiro Yokose was born in Nagasaki, Japan, 1959 and lives and works in the heart of Manhattan, NY. Yokose combines oil and beeswax to create landscapes that appear simultaneously abstract and realistic. Because of the artist's unique technique of painting, the surfaces of his work have a sensuous and tactile appearance where depth is both an illusion and a reality. PUBLIC COLLECTIONS Citibank, New York, NY Boeing Company, Chicago, Il Exon Corporation, Irving, TX Fidelity Investments Corporation, Boston, MA Goldman Sachs and Company, San Francisco, CA Kennedy Museum of American Art, Ohio University, OH Lincoln National Corporation, Fort Wayne, IN Marnell Corrao, Las Vegas, NV Miami-Dade College, FL Microsoft Corporation, Seattle, WA Prudential, New York, NY San José Museum of Art, CA TransAmerica Corporation, San Francisco, CA Harvard University, Cambridge, MA The Ritz Carlton Hotel, Washington, D. C.
$ (as of June 5, 2017, 10:48 am)4,775.00 (as of June 5, 2017, 10:48 am)
Tin Robot
"Tin Robot" (2013) by American Contemporary artist Michael Fitts is a whimsical and highly detailed original oil painting on reclaimed metal. Fitts paints the vintage toy in a manner that is intentionally filled with nostalgia and Neo-Pop kitsch. He elevates the importance of this whimsical everyday object to the status of a revered icon, by painting the toy in super-bright colors, placing it at the center of the metal "canvas" and with a deep shadow, as if it hovers just above the rusted brown surface.
