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The eye makes its way to the water through the dunes and beach grass. This piece is part of an ongoing series created with a palette knife and displays unique layering of color and abstract perception. When beginning this particular piece, I set out to offer more abstraction, giving a contemporary view with enough information for imagination to fill in the scene. The painting is on gallery wrapped Belgian linen with clean, natural edges. It comes varnished and wired to hang. Read more in the description below.
Fortitude I and Fortitude II were inspired by two beautiful trees whose leaves turned gorgeous, seasonal colors, but refused to fall when surrounding trees had succumbed to the weather. The piece is finished on the edges, varnished, wired, and ready to hang.
$ (as of July 24, 2017, 7:44 pm)900.00 (as of July 24, 2017, 7:44 pm)
"I enjoy painting in black an white because it its the most extreme of contrast. Â I am not a tonal painter and I feel that one color can make a contrasting color that much more beautiful. Â Black and white may just be the best two colors as they allow all the other colors of the room to shine. Â It is the most neutral of color combo's and can help with layering in homes, the paintings will balance any other art in the room, regardless of the color scheme or the design plan. Â They are the Switzerland of paint colors. Sometimes my eyes need a retrieve from color and so I move on to painting in black and white. I usually paint abstracts although I am exploring black and white flowers and a black Drippy Heart, which is just as happy and beautiful as my yellow ones ;) ". - Kerri Rosenthal, August 2104
"Tin Robot" (2013) by American Contemporary artist Michael Fitts is a whimsical and highly detailed original oil painting on reclaimed metal. Fitts paints the vintage toy in a manner that is intentionally filled with nostalgia and Neo-Pop kitsch. He elevates the importance of this whimsical everyday object to the status of a revered icon, by painting the toy in super-bright colors, placing it at the center of the metal "canvas" and with a deep shadow, as if it hovers just above the rusted brown surface.