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16×20 in. Unframed Martyn Thompson Alien – Light Blue

In Martyn Thompson’s alien series, these jellyfish are transformed into other worldly creatures, existing as repetitious form in a floating abyss. The series contains a varying palette of blues and grays, recalling the range of tones in the natural sea environment. Interestingly, the form changes very little from image to image, yet the overall feeling the image conveys is quite dramatically different, depending on the color scheme. In this image, the dark, rich blue imparts a certain feeling of depth, as if the viewer is peering into a deep, oceanic world. -Luster Fine Art Prints

Aerial Mosquito Attack, Collier County, Florida, 1981

Available in 12x17.5 (17x22 Total Paper Size) = $2,350 Unframed 15x21 (18x24 Total Paper Size) = $2900 9x13 (11x17 Total Paper Size) = $1,500 Unframed
$ (as of June 5, 2017, 4:28 pm)2,350.00 (as of June 5, 2017, 4:28 pm)

16×24 in. Alex Kain Louis

This piece by Alex Kain is entitled "Louis". This C-Print which measures 16×24 inches includes free shipping.
$ (as of June 5, 2017, 5:36 pm)225.00 (as of June 5, 2017, 5:36 pm)

[photograph] 21 Oct 2012

"My work process involves photographing fields of matter and discovering what these fields, within the structure of this media, can potentially yield. Recently, I have been working with India ink applied to translucent drafting film, which is hung and backlit for photographing. I shoot with an 8x10 camera and print in a traditional color darkroom. The subject matter is not a construct of previously sketched and carefully rendered images. It is rather a documentation of collaborative happenstance with material and mark, and with the catalytic ability for photography to shift this literal matter into potential notions of reference." Read more in the description below.  

30×40 in. Adam Rankin Sarah

The Moving series is a set of portraits taken in the weeks leading up to the sale of the family home. In each portrait, the subject floats above and through a shared memory, heading towards something new and undocumented, collectively redefining what the idea of home and family is becoming.Moving was shot in Edmonton, Alberta in the summer of 2005. The 5th member of our family, the red canoe, has been around as long as I have. Oddly enough, it has never seen the water and was sold shortly after theMoving series was taken, along with the family home. This particular image was shot in a shopping mall parking lot close to our family home. The mall has since been demolished and is now a bunch of condos. Both my sister and I spent a lot of time there over the years. On shoot day, my Dad was on lighting and grip and my Mum correlated film. The canoe was shot on location supported by scaffolding.
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The World Is Not My Oyster

This is an exemplary work by the artist, it will be a stunning addition to any space.
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12 x 18 in. Raymond Ciborowski Citrus Promenade

Raymond Ciborowski, Citrus Promenade, 2011

24×36 in. Katherine Gendreau NYC 1963

A vintage 1963 New York City subway train.

6.5×9.5 in. Amy FINKELSTEIN [photograph] 10 Jan 2013

"My work process involves photographing fields of matter and discovering what these fields, within the structure of this media, can potentially yield. Recently, I have been working with India ink applied to translucent drafting film, which is hung and backlit for photographing. I shoot with an 8x10 camera and print in a traditional color darkroom. The subject matter is not a construct of previously sketched and carefully rendered images. It is rather a documentation of collaborative happenstance with material and mark, and with the catalytic ability for photography to shift this literal matter into potential notions of reference." Read more in the description below.

Fred McFeely “Mr. Rogers”, Pittsburgh, 1990

Available in 2 sizes: 12x18 (17x22 Total Paper Size) = $2,350 9x13 (11x17 Total Paper Size) = $1,500 Unframed Free Shipping
$ (as of June 5, 2017, 4:28 pm)2,350.00 (as of June 5, 2017, 4:28 pm)


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