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16×20 in. Unframed Martyn Thompson Heart of Glass 07

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20×24 in. Adam Rankin Eric

The Moving series is a set of portraits taken in the weeks leading up to the sale of the family home. In each portrait, the subject floats above and through a shared memory, heading towards something new and undocumented, collectively redefining what the idea of home and family is becoming.Moving was shot in Edmonton, Alberta in the summer of 2005. The 5th member of our family, the red canoe, has been around as long as I have. Oddly enough, it has never seen the water and was sold shortly after theMoving series was taken, along with the family home. This particular image was shot in a shopping mall parking lot close to our family home. The mall has since been demolished and is now a bunch of condos. Both my sister and I spent a lot of time there over the years. On shoot day, my Dad was on lighting and grip and my Mum correlated film. The canoe was shot on location supported by scaffolding.
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90×60 cm. Visarute Angkatavanich Promenade

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60×60 cm. Visarute Angkatavanich White Dancer

"These stunning portraits show Siamese fighting fish seemingly floating in mid air, displaying their long, flowing fins and brilliant colours. Thai photographer Visarute Angkatavanich uses specialist lighting and crystal-clear water to capture exuberantly finned and coloured varieties of Betta splendens." Review from the Guardian, UK
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The World Is Not My Oyster

This is an exemplary work by the artist, it will be a stunning addition to any space.
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Flame Feather

"These stunning portraits show Siamese fighting fish seemingly floating in mid air, displaying their long, flowing fins and brilliant colours. Thai photographer Visarute Angkatavanich uses specialist lighting and crystal-clear water to capture exuberantly finned and coloured varieties of Betta splendens." Review from the Guardian, UK
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10×15 in. Alex Kain Crease

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White Fan

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6.5×9.5 in. Amy FINKELSTEIN [photograph] 10 Jan 2013

"My work process involves photographing fields of matter and discovering what these fields, within the structure of this media, can potentially yield. Recently, I have been working with India ink applied to translucent drafting film, which is hung and backlit for photographing. I shoot with an 8x10 camera and print in a traditional color darkroom. The subject matter is not a construct of previously sketched and carefully rendered images. It is rather a documentation of collaborative happenstance with material and mark, and with the catalytic ability for photography to shift this literal matter into potential notions of reference." Read more in the description below.


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