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Clarity

Subject M. releases the associated negative belief system holding her wounds and pain in place, letting it dissolve and feeling the clarity of the moment. Personality-level understanding is achieved, spurred by awareness of the past life's pain which has been repeated in many incarnations. Ignited by knowledge, M. lets go of the karma in the moment and sees into a future without the habitual emotional pitfalls. Her lips are ajar, expectant as a lover's in anticipation of a kiss. Her eyes are far-reaching, projecting into the Divine. Attention is given to rendering the eyes and the lips in an effort to capture the viewer. The faces morphs and oozes out of the surface. Just as one longs for release and clarity, so the portrait comes off the page, leaning into the viewer, moving outward and toward the infinite. The eyes and lips spill out, exacerbating the feeling of yearning. A high level of detail and rendering is accomplished using the best quality charcoal and high grade watercolor paper by Arches. The paper allows for ultra fine texturing and high fidelity in the rendition of skin, hair, and light. Clarity is unmounted and will require a frame in order to hang.

Figure by the Trees

I am inspired by the supernatural and otherworldly. I love the mystery of dusk and the shapes it creates with the approaching night. The piece was done in charcoal using a subtractive method, where I lay down the medium and remove it with an eraser. The piece has been sprayed with a fixative, however, it is important to not touch the surface. This piece is on heavyweight paper and will need a frame for display.  

The Human Briar

A meticulously detailed composition showing swirling bands of color and suggestions of thorns in the foreground, with complex organic forms being visible beyond these shapes, creating a depth of perspective. The symbolism being the trials and tribulations of the human condition, and the strength we display in over coming them.
$ (as of June 5, 2017, 11:38 pm)6,600.00 (as of June 5, 2017, 11:38 pm)

Fallen Series No. 12

A work by David Morrison using Graphite. This is a unique work that measures 14 x 18.3 inches.

$ (as of June 5, 2017, 7:54 am)3,000.00 (as of June 5, 2017, 7:54 am)

Beginning

Charcoal drawing on paper. The creases in the paper were there when the drawing was made and are intentional.
$ (as of June 5, 2017, 7:56 am)1,600.00 (as of June 5, 2017, 7:56 am)

Refraction

Black and white charcoal drawing created on illustration board. Studies of Architecture to create abstract forms.
$ (as of June 5, 2017, 7:54 am)400.00 (as of June 5, 2017, 7:54 am)

Collage Radius #30

An exercise in focus and precision, Zecca creates his origami-like Collage Radii by combining fragments of his drawings, which repeat sequences of steadied, handmade ink lines that radiate from a fixed point. These collage works can mounted on museum mat board and hung as a sculptural piece or laid flat and framed behind Plexiglas.
$ (as of June 5, 2017, 8:39 pm)4,500.00 (as of June 5, 2017, 8:39 pm)

Passing the Veil of Remembrance

This intricate ink drawing is on heavy-weight paper. It will require a frame for display.
$ (as of June 5, 2017, 7:54 am)450.00 (as of June 5, 2017, 7:54 am)

Invation of the Body Bots

A funky artwork, a signature of Chicago artist & designer CJ Hungerman // Framed: 40x40x5 IN ; wood
$ (as of June 5, 2017, 7:56 am)9,000.00 (as of June 5, 2017, 7:56 am)

Skullscape Singular Procession 2

In the artwork of emerging Chinese artist, James Chen-Feng Kao, he is interested in the combination of abstraction and "characters." He creates graphic characters and draws them using ink strokes inspired by Chinese calligraphy. He has created a pattern titled "Skullscape," which is a tessellation of geometric color shapes where each shape is an abstraction of the human skull; the top part of each shape is wider than the bottom part, and the shape is symmetrical. The "Skullscape" pattern is painted into his ink drawings as well as onto character sculptures. The abstract ink strokes and acylic color pattern add a layer of encoding, which draws the audience in. Jame's art lies in the moment of interaction between the viewers and the work: when the audience deciphers and realizes what they see is not what they expected.
$ (as of June 5, 2017, 7:56 am)600.00 (as of June 5, 2017, 7:56 am)


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