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11×11 in. Unframed Mark Hartman Untitled Billboard No. 2

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[photograph] 21 Oct 2012

"My work process involves photographing fields of matter and discovering what these fields, within the structure of this media, can potentially yield. Recently, I have been working with India ink applied to translucent drafting film, which is hung and backlit for photographing. I shoot with an 8x10 camera and print in a traditional color darkroom. The subject matter is not a construct of previously sketched and carefully rendered images. It is rather a documentation of collaborative happenstance with material and mark, and with the catalytic ability for photography to shift this literal matter into potential notions of reference." Read more in the description below.  

Fred McFeely “Mr. Rogers”, Pittsburgh, 1990

Available in 2 sizes: 12x18 (17x22 Total Paper Size) = $2,350 9x13 (11x17 Total Paper Size) = $1,500 Unframed Free Shipping
$ (as of June 5, 2017, 4:28 pm)2,350.00 (as of June 5, 2017, 4:28 pm)

16×20 in. Unframed Martyn Thompson Heart of Glass 07

In this series, Martyn explores themes of memory and fragility, using strong elements of naturalism. Here, the broken wings of the butterflies demonstrate the delicacy of nature, leading us to question our own finite existence. The vibrant blue plate cont

10×15 in. Alex Kain Crease

C-Print work by Alex Kain, Edition 1-200 of 200, 10x15 in. This artwork comes with free shipping.
$ (as of June 5, 2017, 8:23 pm)125.00 (as of June 5, 2017, 8:23 pm)

60×60 cm. Visarute Angkatavanich White Dancer

"These stunning portraits show Siamese fighting fish seemingly floating in mid air, displaying their long, flowing fins and brilliant colours. Thai photographer Visarute Angkatavanich uses specialist lighting and crystal-clear water to capture exuberantly finned and coloured varieties of Betta splendens." Review from the Guardian, UK
$ (as of June 5, 2017, 4:40 pm)1,050.00 (as of June 5, 2017, 4:40 pm)

16×20 in. Unframed Martyn Thompson Alien – Light Blue

In Martyn Thompson’s alien series, these jellyfish are transformed into other worldly creatures, existing as repetitious form in a floating abyss. The series contains a varying palette of blues and grays, recalling the range of tones in the natural sea environment. Interestingly, the form changes very little from image to image, yet the overall feeling the image conveys is quite dramatically different, depending on the color scheme. In this image, the dark, rich blue imparts a certain feeling of depth, as if the viewer is peering into a deep, oceanic world. -Luster Fine Art Prints

The World Is Not My Oyster

This is an exemplary work by the artist, it will be a stunning addition to any space.
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24×36 in. Katherine Gendreau NYC 1963

A vintage 1963 New York City subway train.

16×20 in. Julia Callon Supermarket

Supermarket and Royal Bank are constructed small scale models that represent otherwise orderly places in a state of chaos and disarray. The tension in the images seeks to represent a culture of abundance and excess, exploding at the seams. Julia's work consists of the hybridization of photography and constructed small-scale models that both challenge and explore the idea of the photographic image as a representation of reality. Supermarket and Royal Bank represent otherwise orderly places in a state of chaos and disarray. The tension in the images seek to represent a culture of abundance and excess, exploding at the seams.
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6.5×9.5 in. Amy FINKELSTEIN [photograph] 10 Jan 2013

"My work process involves photographing fields of matter and discovering what these fields, within the structure of this media, can potentially yield. Recently, I have been working with India ink applied to translucent drafting film, which is hung and backlit for photographing. I shoot with an 8x10 camera and print in a traditional color darkroom. The subject matter is not a construct of previously sketched and carefully rendered images. It is rather a documentation of collaborative happenstance with material and mark, and with the catalytic ability for photography to shift this literal matter into potential notions of reference." Read more in the description below.


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