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#4458
Hiro Yokose was born in Nagasaki, Japan, 1959 and lives and works in the heart of Manhattan, NY. Yokose combines oil and beeswax to create landscapes that appear simultaneously abstract and realistic. Because of the artist’s unique technique of painting, the surfaces of his work have a sensuous and tactile appearance where depth is both an illusion and a reality. PUBLIC COLLECTIONS Citibank, New York, NY Boeing Company, Chicago, Il Exon Corporation, Irving, TX Fidelity Investments Corporation, Boston, MA Goldman Sachs and Company, San Francisco, CA Kennedy Museum of American Art, Ohio University, OH Lincoln National Corporation, Fort Wayne, IN Marnell Corrao, Las Vegas, NV Miami-Dade College, FL Microsoft Corporation, Seattle, WA Prudential, New York, NY San José Museum of Art, CA TransAmerica Corporation, San Francisco, CA Harvard University, Cambridge, MA The Ritz Carlton Hotel, Washington, D. C.
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Orchard
Georgia O'Keeffe said you need to look closely to see the true beauty of nature. In a large orchard, one small detail of one leaf is a thing of beauty--this inspired Orchard. The piece is on a gallery wrapped canvas and the paint was allowed to drip carefully over the sides so that the work continues beyond its limits. It comes varnished and ready to hang.
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Dunes XXVI
This piece has been SOLD.
The eye guides the way to the distant water through abstracted dunes and beach grass at sunset. My Dunes Series is created with a palette knife and water soluble oil paint on natural Belgian linen. When beginning this particular piece, I wanted to evoke the memory of a very colorful sunset depicted horizontally to show the expanse of the changing sky. I have been exploring different sizes and orientation and expressing differing times of day.This painting is on a gallery wrapped canvas with natural linen edges. It comes varnished and ready to hang.
Dunes XXVII
The eye makes its way to the water through the dunes and beach grass. This piece is part of an ongoing series created with a palette knife and displays unique layering of color and abstract perception. When beginning this particular piece, I wanted to depict the dunes in a very large format and show the expanse of the changing sky. The painting is on gallery wrapped Belgian linen with clean, natural edges. It comes varnished and wired to hang.
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