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SETH CLARK: Collapse 3
These images are created through an ambitious layering process. Once a dimensional foundation is achieved, various mixed media are used to bring definition and depth to these raw materials. The processes of collage and drawing alternate between themselves
SETH CLARK: Collapse 2
These images are created through an ambitious layering process. Once a dimensional foundation is achieved, various mixed media are used to bring definition and depth to these raw materials. The processes of collage and drawing alternate between themselves.
30×40 in. Cristina Guerreiro Market Street
Cristina Guerreiro lives everywhere and nowhere. She split her childhood between Brazil and Portugal, studied in central England, and is now working towards her MFA at the prestigious San Francisco Art Institute. She records her personal memories and movements from each of these spaces in her work. Her transient city scenes and distinct architectural references, belie feelings of dislocation, identity, and urban energy. To create these pieces, Cristina photographs the buildings she wants then draws them with her own distinct style. The colors are inspired by both of her cultures: Brazilian lively music and forms, the vibrant colors and sounds of the Portuguese people, and the quirky skyscrapers of San Francisco. This piece is an impression of the iconic buildings and bridges in downtown SF, many of them just a few blocks away from Cristina's apartment.
Subject M. releases the associated negative belief system holding her wounds and pain in place, letting it dissolve and feeling the clarity of the moment. Personality-level understanding is achieved, spurred by awareness of the past life's pain which has been repeated in many incarnations. Ignited by knowledge, M. lets go of the karma in the moment and sees into a future without the habitual emotional pitfalls. Her lips are ajar, expectant as a lover's in anticipation of a kiss. Her eyes are far-reaching, projecting into the Divine. Attention is given to rendering the eyes and the lips in an effort to capture the viewer. The faces morphs and oozes out of the surface. Just as one longs for release and clarity, so the portrait comes off the page, leaning into the viewer, moving outward and toward the infinite. The eyes and lips spill out, exacerbating the feeling of yearning. A high level of detail and rendering is accomplished using the best quality charcoal and high grade watercolor paper by Arches. The paper allows for ultra fine texturing and high fidelity in the rendition of skin, hair, and light. Clarity is unmounted and will require a frame in order to hang.
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