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The Binding Tree
Meticulously detailed drawing on archival paper. This is a color and image study for a larger piece that sold, entitled "Under the Shadow of Mortality". This title is the closest description for the feeling and atmosphere of the image. Not being a large piece, it can safely be shipped loosely rolled in a tube. This will cost a lot less than a framed piece.
$ (as of June 5, 2017, 11:38 pm)1,150.00 (as of June 5, 2017, 11:38 pm)
Clarity
Subject M. releases the associated negative belief system holding her wounds and pain in place, letting it dissolve and feeling the clarity of the moment. Personality-level understanding is achieved, spurred by awareness of the past life's pain which has been repeated in many incarnations. Ignited by knowledge, M. lets go of the karma in the moment and sees into a future without the habitual emotional pitfalls. Her lips are ajar, expectant as a lover's in anticipation of a kiss. Her eyes are far-reaching, projecting into the Divine. Attention is given to rendering the eyes and the lips in an effort to capture the viewer. The faces morphs and oozes out of the surface. Just as one longs for release and clarity, so the portrait comes off the page, leaning into the viewer, moving outward and toward the infinite. The eyes and lips spill out, exacerbating the feeling of yearning. A high level of detail and rendering is accomplished using the best quality charcoal and high grade watercolor paper by Arches. The paper allows for ultra fine texturing and high fidelity in the rendition of skin, hair, and light. Clarity is unmounted and will require a frame in order to hang.
Collage Radius #30
An exercise in focus and precision, Zecca creates his origami-like Collage Radii by combining fragments of his drawings, which repeat sequences of steadied, handmade ink lines that radiate from a fixed point. These collage works can mounted on museum mat board and hung as a sculptural piece or laid flat and framed behind Plexiglas.
$ (as of June 5, 2017, 8:39 pm)4,500.00 (as of June 5, 2017, 8:39 pm)
Figure by the Trees
I am inspired by the supernatural and otherworldly. I love the mystery of dusk and the shapes it creates with the approaching night. The piece was done in charcoal using a subtractive method, where I lay down the medium and remove it with an eraser. The piece has been sprayed with a fixative, however, it is important to not touch the surface. This piece is on heavyweight paper and will need a frame for display.
