I am inspired by the supernatural and otherworldly. I love the mystery of dusk and the shapes it creates with the approaching night. The piece was done in charcoal using a subtractive method, where I lay down the medium and remove it with an eraser. The piece has been sprayed with a fixative, however, it is important to not touch the surface. This piece is on heavyweight paper and will need a frame for display.
An exercise in focus and precision, Zecca creates his origami-like Collage Radii by combining fragments of his drawings, which repeat sequences of steadied, handmade ink lines that radiate from a fixed point. These collage works can mounted on museum mat board and hung as a sculptural piece or laid flat and framed behind Plexiglas.
$ (as of June 5, 2017, 8:39 pm)4,500.00 (as of June 5, 2017, 8:39 pm)
Meticulously detailed drawing on archival paper. This is a color and image study for a larger piece that sold, entitled "Under the Shadow of Mortality". This title is the closest description for the feeling and atmosphere of the image. Not being a large piece, it can safely be shipped loosely rolled in a tube. This will cost a lot less than a framed piece.
$ (as of June 5, 2017, 11:38 pm)1,150.00 (as of June 5, 2017, 11:38 pm)
From the series "Code", oil and graphite pencil on paper, 30 x 30 cm. A map is an imprint, a sign of man in the landscape. An alien intelligence, observing our cities from the great distances of the space, could interpret them as the characters of an alphabet, sort of messages, a code of signs, each one different from the other, each with its own meaning and its own syntax. This hypothetical alien presence may not even realize that these cities have a purpose and a function, which are the product of the way we have adapted to live on this planet, but it could engage in an attempt to interpret this unknown language, identifying the alphabet and associating to each character a precise meaning. We will still be able to understand and share this new meanings, or will they have lost any sense for us?
A meticulously detailed composition showing swirling bands of color and suggestions of thorns in the foreground, with complex organic forms being visible beyond these shapes, creating a depth of perspective. The symbolism being the trials and tribulations of the human condition, and the strength we display in over coming them.
$ (as of June 5, 2017, 11:38 pm)6,600.00 (as of June 5, 2017, 11:38 pm)
Born in 1975 and raised in Quimper, Brittany, Nathalie Chikhi lives and works in Orlando, Florida. She earned her Bachelor in Visual Communication from Le Paraclet, Quimper in 1996 and a degree in Interactive Multimedia from Les Gobelins, Paris in 1999. She has shown at many venues across the USA since 2006, including the Bakehouse Art Complex in Miami (2008), The MassMoca in North Adams, MA (2011), the Museum for Women Artists in Deland, FL (2011), UCF art gallery in Orlando (2012) and FSU gallery of Fine Art in Tallahassee (2012). She held her first solo show at Twelve 21, Orlando in Sept 2011. Her works 'Homage to Donald Judd", sculpture and painting were exhibited at Aqua during Art Basel Miami Beach, 2011. One of her painting, OPAD #1, was selected for the Nurture Art Annual Benefit 2012, in Brooklyn NY. From March 2 to April 20, 2013, she had a solo exhibition, titled "HUE" at Alt Space Gallery, with the Atlantic Center for the Arts, New Smyrna Beach, FL. During summer 2013, she launched a necklaces collection called STIXELS. Last April-May 2014, she did a site specific installation at ArtFields, Lake City SC. She will have a group exhibition in Tampa, in Oct-September 2014 and a mobile installation in March 2015 with the Maitland Art Center.
In the artwork of emerging Chinese artist, James Chen-Feng Kao, he is interested in the combination of abstraction and "characters." He creates graphic characters and draws them using ink strokes inspired by Chinese calligraphy. He has created a pattern titled "Skullscape," which is a tessellation of geometric color shapes where each shape is an abstraction of the human skull; the top part of each shape is wider than the bottom part, and the shape is symmetrical. The "Skullscape" pattern is painted into his ink drawings as well as onto character sculptures. The abstract ink strokes and acylic color pattern add a layer of encoding, which draws the audience in. Jame's art lies in the moment of interaction between the viewers and the work: when the audience deciphers and realizes what they see is not what they expected.
$ (as of June 5, 2017, 7:56 am)600.00 (as of June 5, 2017, 7:56 am)