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Black and White No. 81
"I enjoy painting in black an white because it its the most extreme of contrast. Â I am not a tonal painter and I feel that one color can make a contrasting color that much more beautiful. Â Black and white may just be the best two colors as they allow all the other colors of the room to shine. Â It is the most neutral of color combo's and can help with layering in homes, the paintings will balance any other art in the room, regardless of the color scheme or the design plan. Â They are the Switzerland of paint colors. Sometimes my eyes need a retrieve from color and so I move on to painting in black and white. I usually paint abstracts although I am exploring black and white flowers and a black Drippy Heart, which is just as happy and beautiful as my yellow ones ;) ". - Kerri Rosenthal, August 2104
Crayons
"Crayons" (2014) is an stunning photo-realist oil painting on vintage printing plate by American Latest artist Michael Fitts. This painting is one in every of his finest and largest up to now, measuring 19.5 x 27 inches, is unframed and in excellent condition. Fiitts is across the world acclaimed for his paintings of on a regular basis objects from American culture which might be nostalgic and ephemeral and places them into the realm on the revered, painting them in an unbelievable trompe l'oeil manner on the center of his canvas as if an icon or worship. His subjects include coffee cups, toys, balloons, shoes, snack foods, utensils, and other objects of the American cultural experience during the last several decades.
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Orchard
Georgia O'Keeffe said you need to look closely to see the true beauty of nature. In a large orchard, one small detail of one leaf is a thing of beauty--this inspired Orchard. The piece is on a gallery wrapped canvas and the paint was allowed to drip carefully over the sides so that the work continues beyond its limits. It comes varnished and ready to hang.
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#4458
Hiro Yokose was born in Nagasaki, Japan, 1959 and lives and works in the heart of Manhattan, NY. Yokose combines oil and beeswax to create landscapes that appear simultaneously abstract and realistic. Because of the artist’s unique technique of painting, the surfaces of his work have a sensuous and tactile appearance where depth is both an illusion and a reality. PUBLIC COLLECTIONS Citibank, New York, NY Boeing Company, Chicago, Il Exon Corporation, Irving, TX Fidelity Investments Corporation, Boston, MA Goldman Sachs and Company, San Francisco, CA Kennedy Museum of American Art, Ohio University, OH Lincoln National Corporation, Fort Wayne, IN Marnell Corrao, Las Vegas, NV Miami-Dade College, FL Microsoft Corporation, Seattle, WA Prudential, New York, NY San José Museum of Art, CA TransAmerica Corporation, San Francisco, CA Harvard University, Cambridge, MA The Ritz Carlton Hotel, Washington, D. C.
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Dunes XXIV
The eye makes its way to the water through the dunes and beach grass. This piece is part of an ongoing series created with a palette knife and displays unique layering of color and abstract perception. When beginning this particular piece, I set out to offer more abstraction, giving a contemporary view with enough information for imagination to fill in the scene. The painting is on gallery wrapped Belgian linen with clean, natural edges. It comes varnished and wired to hang. Read more in the description below.
